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Diverging Comics is always searching for individuals who would like to contribute to the site in some way or another used cars buy. It is a lot of work to maintain a site such as this one and any contribution would be greatly appreciated by myself . The following jobs are in high demand:
• editorial writers
• review writers
• interviewers
• photographer (Picture donations of creators or events are accepted also.)

To apply, contact my e-mail at this address. An example of your work would be appreciated as well as your basic characteristics (name, age, etc.) Don't forget to mention which used cheap cars position you're applying for.
The Comic Book Legal Defense Fund was founded in 1986 as a 501 (c) 3 non-profit organization dedicated to the preservation of First Amendment rights for members of the comics community. ACTOR, A Commitment To Our Roots, is the first ever federally chartered not-for-profit corporation dedicated strictly to helping comic book creators in need.
Creator Spotlight: Robert Crumb

(1922 - 1992)   The publisher of Mad and of the EC line of comic books in the 1950s, Gaines is the son of comics pioneer M.C Gaines.

Born in New York, Gaines grew up with a penchant for puns and practical jokes and a fondness for fantasy radio shows such as The Witches' Tale. He flunked out of Brooklyn's Polytechic Institute during his junior year and joined the Army Air Corps in 1942. After the war, he coedited Picture Stories frp, Science for his father's Educational Comics. He was studying to become a teacher when he inherited EC in 1947. He gradually transformed a line of funny animal titles into crime, romance, and Western books. In 1950 Gaines launched the "New Trend" line - with EC now standing for Entertaining Comics. These new ECs offered science fiction with Weird Fantasty and Weird Science, crime with Crime SuspenStories, and horror/fantasty with The Haunt of Fear, The Vault of Horror, and Tales from the Crypt. Eventually Gaines added Frontline Combat, Two-Fisted Tales, Shock SuspenseStories, Mad, Panic and Piracy. His SF titles adapted the short stories of Ra Bradbury, initially without Bradbury's knowledge or consent, to comic books.

Gaines assembled a gifted editorial staff - Harvy Kurtzman, Al Feldstein, and Johnny Craig - and hired the more talented artist in the field. Unlike most publishers, he was closely involved in the story material, from devising plot premise springboards to proofreading. The result was a runaway success, widely imitated at the time and very influential for years to come. IN 1954 Gaines was caught in the wave of negative publicity generated by investigations into suspected links between comic books and juvinile delinquency, and pressure from parent groups and distributers prompted Gaines to cancel the line. He attempted to rally, first with his "New Direction" comics and then with a group of black-and-white titles. Finally, he concentrated solely on Mad, edited by Feldstein after Kurtzman's departure. Gaines turned it into an impressive success, after converting it from a comic book into a black and white magazine, and there have been endless spinoffs and reprints.


All text and information taken from The Encyclopedia of American Comics.

Edited by Ron Goulart.

All contents ™ & © 1990 Promise Land Productions